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About the artist

Welcome to the poetic universe of Guillaume Bottazzi

Biography

Guillaume Bottazzi is a French visual artist, born in 1971, who has had his studio in Brussels since 2012. He has been working for more than 30 years, particularly in Europe, Asia, and the United States.​ He has signed more than a hundred artworks for public spaces and he is considered a pioneer of the neuroaesthetics movement. He has received private and public commissions from museums such as the Mori Art Museum, the Miyanomori International Art Museum, the Suntory Museum of Art, the Tokyo National Art Center and the Tokyo Metropolitan Foundation of History and Culture; from cities such as Tokyo, the Tokyo Metropolitan Government, Nice and Brussels; from ministries such as the Ministry of Culture, the Ministry of Education, and the Ministry of Health; from investors such as Sofitel, Mori Building Co. Ltd, BNP Paribas, Société Générale, Nexity… Guillaume Bottazzi has set up his own House of Creation, similar to a House of Haute Couture. The designer collaborates with teams of fitters, craftsmen, glassmakers, electricians and technicians whose reputation for excellence is second to none. His heritage works have met great success. In particular, they are sold to CAC 40 companies and many renowned architects.

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Selection of television reports

Actualités – News

Bref aperçu de Guillaume Bottazzi – Brief overview Artworks

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Guillaume Bottazzi on RCF “Guillaume Bottazzi pioneer of neuroesthetics”.

Journalist Delphine Freyssinet visits artist Guillaume Bottazzi at his creative home.

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The work of art is not Surrealistic

The Surrealism of neurobiologist Jean-Pol Tassin Jean-Pol Tassin, neurobiologist, director of research at Inserm and addictologist, has written “L'inconscient aux commandes” (“The unconscious in control”). In one of his lectures, he explains that “there are two modes in our brain, an analog mode and a cognitive mode. The cognitive mode is slow, acting on neuromodulators…

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In-situ work on a lime-painted house in Antwerp

Inspired by the imperial villa of Katsura in Japan. This light, evanescent painting adjoins several hectares of wildlife.

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Our differences or prejudices

Japanese crane on a pine branch by Ohara Koson, 1900-30Japanese woodblock print in colour White is often used as an example to explain how a color can be received differently; it is the color of the dead in China and Japan and the color of wedding dresses in Western and Christian cultures. So, it’s true…

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